Results for 'Ioan Valentin Petrescu-Mag'

313 found
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  1. Intelligence Info, Volumul 2, 2023.Nicolae Sfetcu - 2023 - Intelligence Info 2.
    Revista Intelligence Info este o publicație trimestrială din domeniile intelligence, geopolitică și securitate, și domenii conexe de studiu și practică. -/- Cuprins: -/- EDITORIALE / EDITORIALS -/- Tiberiu TĂNASE Considerații privind necesitatea educării și formării resursei umane pentru intelligence–ul național Considerations regarding the need to educate and train human resources for national intelligence Nicolae SFETCU Epistemologia activității de intelligence Epistemology of intelligence Nicolae SFETCU Rolul serviciilor de informații în război The role of the intelligence agencies in a war Nicolae SFETCU (...)
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  2. The threefold object of the scientific knowledge. Pseudo-Scotus and the literature on the Meteorologica in fourteenth-century Paris.Lucian Petrescu - 2014 - Franciscan Studies 72:465-502.
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  3. A Metacognitive Approach to Trust and a Case Study: Artificial Agency.Ioan Muntean - 2019 - Computer Ethics - Philosophical Enquiry (CEPE) Proceedings.
    Trust is defined as a belief of a human H (‘the trustor’) about the ability of an agent A (the ‘trustee’) to perform future action(s). We adopt here dispositionalism and internalism about trust: H trusts A iff A has some internal dispositions as competences. The dispositional competences of A are high-level metacognitive requirements, in the line of a naturalized virtue epistemology. (Sosa, Carter) We advance a Bayesian model of two (i) confidence in the decision and (ii) model uncertainty. To trust (...)
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  4. Photographic Art: An Ontology Fit to Print.Christy Mag Uidhir - 2012 - Journal of Aesthetics and Art Criticism 70 (1):31-42.
    A standard art-ontological position is to construe repeatable artworks as abstract objects that admit multiple concrete instances. Since photographic artworks are putatively repeatable, the ontology of photographic art is by default modelled after standard repeatable-work ontology. I argue, however, that the construal of photographic artworks as abstracta mistakenly ignores photography’s printmaking genealogy, specifically its ontological inheritance. More precisely, I claim that the products of printmaking media (prints) minimally must be construed in a manner consistent with basic print ontology, the most (...)
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  5. Modal definability in enriched languages.Valentin Goranko - 1989 - Notre Dame Journal of Formal Logic 31 (1):81-105.
    The paper deals with polymodal languages combined with standard semantics defined by means of some conditions on the frames. So, a notion of "polymodal base" arises which provides various enrichments of the classical modal language. One of these enrichments, viz. the base £(R,-R), with modalities over a relation and over its complement, is the paper's main paradigm. The modal definability (in the spirit of van Benthem's correspondence theory) of arbitrary and ~-elementary classes of frames in this base and in some (...)
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  6. The Craig interpolation theorem for prepositional logics with strong negation.Valentin Goranko - 1985 - Studia Logica 44 (3):291 - 317.
    This paper deals with, prepositional calculi with strong negation (N-logics) in which the Craig interpolation theorem holds. N-logics are defined to be axiomatic strengthenings of the intuitionistic calculus enriched with a unary connective called strong negation. There exists continuum of N-logics, but the Craig interpolation theorem holds only in 14 of them.
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  7. Failed-Art and Failed Art-Theory.Christy Mag Uidhir - 2010 - Australasian Journal of Philosophy 88 (3):381-400.
    An object being non-art appears only trivially informative. Some non-art objects, however, could be saliently 'almost' art, and therefore objects for which being non-art is non-trivially informative. I call these kinds of non-art objects 'failed-art' objects—non-art objects aetiologically similar to art-objects, diverging only in virtue of some relevant failure. I take failed-art to be the right sort of thing, to result from the right sort of action, and to have the right sort of history required to be art, but to (...)
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  8. Renaissance meteorology and modern science: Craig Martin: Renaissance meteorology: Pomponazzi to Descartes. Baltimore: Johns Hopkins University Press, 2011, viii+213 pp., $50.00 HB.Lucian Petrescu - 2012 - Metascience 22 (1):155-158.
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  9. The Epistemic Misuse & Abuse of Pictorial Caricature.Christy Mag Uidhir - 2013 - American Philosophical Quarterly 50 (2):137-152.
    I claim that caricature is an epistemically defective depiction. More precisely, when employed in service to some epistemic uptake, I claim that caricature can have a non-negligible epistemic effect only for a less than ideally rational audience with certain cognitive biases. An ideally rational audience, however, would take all caricature to be what I refer to as fairground caricature, i.e., an interesting or entertaining form of depiction that is at best only trivially revelatory. I then argue that any medium (or (...)
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  10. Philosophia peripatetica emendata. Leibniz and Des Bosses on the Aristotelian Corporeal Substance.Lucian Petrescu - 2016 - Journal of the History of Philosophy 54 (3):421-440.
    A few months before his death, Leibniz wrote to Des Bosses, My doctrine of composite substance seems to be the very doctrine of the Peripatetic school, except that their doctrine does not recognize monads. But I add them, with no detriment to the doctrine itself. You will hardly find another difference, even if you are bent on doing so.1 It is tempting to take Leibniz’s profession of Aristotelian orthodoxy as circumstantial: the entire correspondence he had with the Jesuit Father Bartholomew (...)
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  11. An eliminativist theory of suspense.Christy Mag Uidhir - 2011 - Philosophy and Literature 35 (1):121-133.
    Motivating philosophical interest in the notion of suspense requires comparatively little appeal to what goes on in our ordinary work-a-day lives. After all, with respect to our everyday engagements with the actual world suspense appears to be largely absent—most of us seem to lead lives relatively suspense-free. The notion of suspense strikes us as interesting largely because of its significance with respect to our engagements with (largely fictional) narratives. So, when I indicate a preference for suspense novels, I indicate a (...)
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  12. Elementary canonical formulae: extending Sahlqvist’s theorem.Valentin Goranko & Dimiter Vakarelov - 2006 - Annals of Pure and Applied Logic 141 (1):180-217.
    We generalize and extend the class of Sahlqvist formulae in arbitrary polyadic modal languages, to the class of so called inductive formulae. To introduce them we use a representation of modal polyadic languages in a combinatorial style and thus, in particular, develop what we believe to be a better syntactic approach to elementary canonical formulae altogether. By generalizing the method of minimal valuations à la Sahlqvist–van Benthem and the topological approach of Sambin and Vaccaro we prove that all inductive formulae (...)
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  13. Descartes on the Heartbeat: The Leuven Affair.Lucian Petrescu - 2013 - Perspectives on Science 21 (4):397-428.
    There is an interesting historical detour in the dissemination of one of the seventeenth century’s most praised discoveries: the reception of Harvey’s account of the circulation of the blood is closely intertwined, especially in the Low Countries, with Descartes’ account of the origin of the heartbeat. Descartes was one of the first figures to support the circulation of the blood and to give credit to Harvey for it, although he presumably arrived at the same conclusion independently through his own anatomical (...)
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  14. Theories of mixture in the early modern period. JEMS 4.1 (Spring).Lucian Petrescu (ed.) - 2015 - Zeta Books.
    Special issue of the Journal for Early Modern Studies (4.1., Spring 2005) Guest Editor: Lucian Petrescu. -/- .
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  15. Art Concept Pluralism.Christy Mag Uidhir & P. D. Magnus - 2011 - Metaphilosophy 42 (1-2):83-97.
    Abstract: There is a long tradition of trying to analyze art either by providing a definition (essentialism) or by tracing its contours as an indefinable, open concept (anti-essentialism). Both art essentialists and art anti-essentialists share an implicit assumption of art concept monism. This article argues that this assumption is a mistake. Species concept pluralism—a well-explored position in philosophy of biology—provides a model for art concept pluralism. The article explores the conditions under which concept pluralism is appropriate, and argues that they (...)
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  16. Art, Metaphysics, & the Paradox of Standards.Christy Mag Uidhir - 2013 - In Art & Abstract Objects. Oxford University Press.
    I consider the field of aesthetics to be at its most productive and engaging when adopting a broadly philosophically informative approach to its core issues (e.g., shaping and testing putative art theoretic commitments against the relevant standard models employed in philosophy of language, metaphysics, and philosophy of mind) and to be at its most impotent and bewildering when cultivating a philosophically insular character (e.g., selecting interpretative, ontological, or conceptual models solely for fit with pre-fixed art theoretic commitments). For example, when (...)
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  17. Patients, Corporate Attorneys, and Moral Obligations.Ioan-Radu Motoarca - 2022 - St. Mary’s Journal on Legal Malpractice and Ethics 12 (2):284-328.
    There are two main questions that any account of corporate lawyers’ moral obligations needs to answer: (1) Do corporate lawyers have moral obligations to third parties? and (2) In cases of conflict between obligations to the corporation and obligations to third parties, which should prevail? This Article offers answers to these questions in the context of lawyers working in medical corporations. I argue that lawyers do have moral obligations to third parties, and that in cases where patients’ rights are being (...)
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  18. Inference to the best explanation and mathematical realism.Sorin Ioan Bangu - 2008 - Synthese 160 (1):13-20.
    Arguing for mathematical realism on the basis of Field’s explanationist version of the Quine–Putnam Indispensability argument, Alan Baker has recently claimed to have found an instance of a genuine mathematical explanation of a physical phenomenon. While I agree that Baker presents a very interesting example in which mathematics plays an essential explanatory role, I show that this example, and the argument built upon it, begs the question against the mathematical nominalist.
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  19. John Duns Scotus and the Ontology of Mixture.Lucian Petrescu - 2014 - Res Philosophica 91 (3):315-337.
    This paper presents Duns Scotus’s theory of mixture in the context of medieval discussions over Aristotle’s theory of mixed bodies. It revisits the accounts of mixture given by Avicenna, Averroes, and Thomas Aquinas, before presenting Scotus’s account as a reaction to Averroes. It argues that Duns Scotus rejected the Aristotelian theory of mixture altogether and that his account went contrary to the entire Latin tradition. Scotus denies that mixts arise out of the four classical elements and he maintains that both (...)
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  20. How to Frame Serial Art.Christy Mag Uidhir - 2013 - Journal of Aesthetics and Art Criticism 71 (3):261-265.
    Most artworks—or at least most among those standardly subject to philosophical scrutiny—appear to be singular, stand-alone works. However, some artworks (indeed, perhaps a good many) are by contrast best viewed in terms of some larger grouping or ordering of artworks. i.e., as a series. The operative art-theoretic notion of series in which I am interested here is that of an individual and distinct artwork that is itself non-trivially composed of a non-trivial sequence of artworks (e.g., Walter de Maria’s Statement Series, (...)
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  21. Hylomorphism versus the Theory of Elements in Late Aristotelianism: Péter Pázmány and the Sixteenth-Century Exegesis of Meteorologica IV.Lucian Petrescu - 2014 - Vivarium 52 (1-2):147-172.
    This paper investigates Péter Pázmány’s theory of mixtures from his exegesis of Meteorologica IV, in the context of sixteenth-century scholarship on Aristotle’s Meteorologica. It aims to contribute to a discussion of Anneliese Maier’s thesis concerning the incompatibility between hylomorphism and the theory of elements in the Aristotelian tradition. It presents two problems: the placement of Meteorologica IV in the Jesuit cursus on physics and the conceptualization of putrefaction as a type of substantial mutation. Through an analysis of these issues, it (...)
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  22. Renaissance Averroism and Its Aftermath: Arabic Philosophy in Early Modern Europe.Lucian Petrescu - 2016 - Journal of Early Modern Studies 5 (1):189-194.
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  23. Why Pornography Can't Be Art.Christy Mag Uidhir - 2009 - Philosophy and Literature 33 (1):193-203.
    Claims that pornography cannot be art typically depend on controversial claims about essential value differences (moral, aesthetic) between pornography and art. In this paper, I offer a value-neutral exclusionary claim, showing pornography to be descriptively at odds with art. I then show how my view is an improvement on similar claims made by Jerrold Levinson. Finally I draw parallels between art and pornography and art and advertising as well as show that my view is consistent with our typical usage of (...)
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  24. Cartesian Meteors and Scholastic Meteors: Descartes against the School in 1637.Lucian Petrescu - 2015 - Journal of the History of Ideas 76 (1):25-45.
    This essay presents Descartes’s anti-hylomorphism in The Meteors published in 1637 and in the unpublished works that precede it, The World (Treatise on Light) and the Rules for the Direction of the Mind.
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  25. Ortodoxia rusă între politică și evanghelie.Stan Petrescu - 2022 - Intelligence Info 1 (1):80-92.
    Creștinismul reprezintă una din cele trei mari religii monoteiste ale lumii ca număr de aderenți, aflându-se cu mult înaintea iudaismului și islamului, născându-se, istoricește vorbind, în prima jumătate a secolului I, când un mic grup de evrei palestinieni l-au identificat pe Mesia cu nimeni altul decât Isus Hristos din Nazaret. De-a lungul a două milenii de existență, creștinismul a evoluat și s-a extins în lume pe spații largi fiind, totodată, însoțit de stări de tensiune, crize, războaie religioase, schisme și conflicte (...)
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  26. Fides et Ratio in the Renaissance.Lucian Petrescu - 2012 - Society and Politics 6 (2):124-128.
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  27. Proving unprovability in some normal modal logics.Valentin Goranko - 1991 - Bulletin of the Section of Logic 20 (1):23-29.
    This note considers deductive systems for the operator a of unprovability in some particular propositional normal modal logics. We give thus complete syntactic characterization of these logics in the sense of Lukasiewicz: for every formula  either `  or a  (but not both) is derivable. In particular, purely syntactic decision procedure is provided for the logics under considerations.
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  28. Two forms of responsibility: Reassessing Young on structural injustice.Valentin Beck - 2023 - Critical Review of International Social and Political Philosophy 26 (6):918-941.
    In this article, I critically reassess Iris Marion Young's late works, which centre on the distinction between liability and social connection responsibility. I concur with Young's diagnosis that structural injustices call for a new conception of responsibility, but I reject several core assumptions that underpin her distinction between two models and argue for a different way of conceptualising responsibility to address structural injustices. I show that Young's categorical separation of guilt and responsibility is not supported by the writings of Hannah (...)
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  29. (1 other version)Comics & Collective Authorship.Christy Mag Uidhir - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective authorship (coupled with (...)
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  30. Minimal authorship (of sorts).Christy Mag Uidhir - 2011 - Philosophical Studies 154 (3):373 - 387.
    I propose a minimal account of authorship that specifies the fundamental nature of the author-relation and its minimal domain composition in terms of a three-place causal-intentional relation holding between agents and sort-relative works. I contrast my account with the minimal account tacitly held by most authorship theories, which is a two-place relation holding between agents and works simpliciter. I claim that only my view can ground productive and informative principled distincitons between collective production and collective authorship.
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  31. Principals' administrative competence and teachers' work performance in secondary schools in Calabar Education Zone of Cross River State, Nigeria.Valentine Joseph Owan & Judith Nonye Agunwa - 2019 - Humanities and Social Sciences Letters 7 (1):20-28.
    The focus of this study was to investigate "principals' administrative competence and teachers work performance" in Calabar Education zone. Four null hypotheses were tested in the course of the study. Correlational research design was adopted, while purposive sampling technique was used in selecting a sample of 800 teachers. Two instruments were used for data collection including "Principals' Administrative Competence Questionnaire (PACQ)," and Teachers' Work Performance Questionnaire (TWPQ)." Pearson Product Moment Correlation Analysis (r) and multiple regression (R) analysis were employed to (...)
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  32. Whether Jung Was a Kantian?Valentin Balanovskiy - 2016 - Con-Textos Kantianos 4:118-126.
    Researchers often talk about a powerful heuristic potential of the Kantian heritage, but sometimes they do not show concrete examples in defense of this opinion outside Kantianism and Neo- Kantianism. This article contains an attempt to demonstrate that on the example of how efficiently C.G. Jung used Kant’s ideas to construct the theoretical basis of analytical psychology in general and his conception of archetypes in particular, we can see the urgency of Kant’s heritage not only for his direct spiritual successors. (...)
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  33. Refutation systems in modal logic.Valentin Goranko - 1994 - Studia Logica 53 (2):299 - 324.
    Complete deductive systems are constructed for the non-valid (refutable) formulae and sequents of some propositional modal logics. Thus, complete syntactic characterizations in the sense of Lukasiewicz are established for these logics and, in particular, purely syntactic decision procedures for them are obtained. The paper also contains some historical remarks and a general discussion on refutation systems.
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  34. Hierarchies of modal and temporal logics with reference pointers.Valentin Goranko - 1996 - Journal of Logic, Language and Information 5 (1):1-24.
    We introduce and study hierarchies of extensions of the propositional modal and temporal languages with pairs of new syntactic devices: point of reference-reference pointer which enable semantic references to be made within a formula. We propose three different but equivalent semantics for the extended languages, discuss and compare their expressiveness. The languages with reference pointers are shown to have great expressive power (especially when their frugal syntax is taken into account), perspicuous semantics, and simple deductive systems. For instance, Kamp's and (...)
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  35. Obstinacy in Suárez's Demonology.Valentin Braekman - 2023 - In Antonio Petagine & Valentin Braekman (eds.), Les anges dans la philosophie médiévale et moderne. Études offertes à Tiziana Suarez-Nani. Rome: Aracne. pp. 373-387.
    In this article, I set out Suárez's conception of the demon's obstinacy. For Suárez, the demons’ obstinacy is a divine punishment. It is the result of the free and awful choice to turn away from God that the demons have decided to make, the main consequence of which is the loss of the freedom to will and to do the good. Taking up Aquinas’s conception, Suárez considers that the demonic nature is irredeemably corrupt and obstinate in evil. Demons are provided (...)
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  36. What's So Bad about Blackface?Christy Mag Uidhir - 2013 - In Mary K. Bloodsworth-Lugo & Dan Flory (eds.), Race, Philosophy, and Film. New York: Routledge. pp. 51-68.
    I argue that what’s so bad (qua film fiction) about the cinematic practice of actor-character race-mismatching—be it the historically infamous and intuitively repugnant practice of blackface or one of its more contemporary kin—is that the extent to which film-fictions employ such practices is typically the extent to which such film-fictions unrealistically depict facts about race. More precisely, I claim that race-mismatching film fictions—understood as a species of unrealistic fiction—are prima facie inconsistent fictions with the capacity to mislead their audiences about (...)
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  37. Pornography at the Edge: Depiction, Fiction, & Sexual Predilection.Christy Mag Uidhir & Henry Pratt - 2012 - In Hans Maes & Jerrold Levinson (eds.), Art and Pornography: Philosophical Essays. Oxford, GB: Oxford University Press UK. pp. 137-160.
    The primary purpose of depictive works of pornography, we take it, is sexual arousal through sexually explicit representations; what we callprototypical pornography satisfies those aims through the adoption of a ceteris paribus maximally realistic depictive style. Given that the purpose of sexual arousal seems best fulfilled by establishing the most robust connections between the viewer and the depictive subject, we find it curious that not all works of pornography aspire to prototypical status. Accordingly, we target for philosophical scrutiny several non-standard (...)
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  38. Competența - participarea de calitate la îndemâna oricui.Ioan Vlașin - 2013 - Unirea.
    The competence is the second must important need for a person, after autonomy. The competence is an indicator for a social integration, for quality of participation in groups. The current definition of competence used in education is proposed from a III- stage of culture, but our definition is from V cultural stage (David Logan). In our work we compare the human condition with the light. We are in the same time individual person and also parts in a supra-individual systems. Between (...)
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  39. Technology of biopolitics and biopolitics of technologies(Metaphysical, political, and anthropological essay).Valentin Cheshko - 2019 - Practical Philosophy ISSN 2415-8690 4 (74):42-52.
    Purpose. Our study aims at developing a conceptual model of transdisciplinary synthesis of philosophical-anthropological, sociopolitical and epistemological aspects of co-evolution of the scientific and technical designs of High Hume class and the socio-cultural / political context in the process of anthropo-socio-cultural genesis. The relevance of the topic is justified by the technologization of all spheres of human existence and the emergence of High Hume class technologies, which can be called technology-driven equally. As a result, the concepts of "bio-power" and "biopolitics" (...)
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  40. Bioethics: Reincarnation of Natural Philosophy in Modern Science.Valentin Teodorovich Cheshko, Valery I. Glazko & Yulia V. Kosova - 2017 - Biogeosystem Technique 4 (2):111-121.
    The theory of evolution of complex and comprising of human systems and algorithm for its constructing are the synthesis of evolutionary epistemology, philosophical anthropology and concrete scientific empirical basis in modern (transdisciplinary) science. «Trans-disciplinary» in the context is interpreted as a completely new epistemological situation, which is fraught with the initiation of a civilizational crisis. Philosophy and ideology of technogenic civilization is based on the possibility of unambiguous demarcation of public value and descriptive scientific discourses (1), and the object and (...)
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  41. SOCIAL VERIFICATION – HUMAN DIMENSONS OF THEORETICAL SCIENCE AND HIGH-TECH (CASUS BIOETHICS). Part Three. DYNAMICS OF GROWTH OF NEW KNOWLEDGE IN POSTACADEMICAL SCIENCE.Valentin Cheshko & Yulia Kosova - 2012 - Practical Philosophy 1:59-69.
    The new phase of science evolution is characterized by totality of subject and object of cognition and technology (high-hume). As a result, forming of network structure in a disciplinary matrix modern are «human dimensional» natural sciences and two paradigmal «nuclei» (attraktors). As a result, the complication of structure of disciplinary matrix and forming a few paradigm nuclei in modern «human dimensional» natural sciences are observed. In the process of social verification integration of scientific theories into the existent system of mental (...)
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  42. Getting Emotional Over Contours: Response to Seeley.Christy Mag Uidhir - 2012 - Essays in Philosophy 13 (2):518-521.
    Bill Seeley suggests that what follows from research into crossmodal perception for expression and emotion in the arts is that there is an emotional contour (i.e., a contour constitutive of the content of an emotion and potentially realizable across a range of media). As a response of sorts, I speculate as to what this might hold for philosophical and empirical enquiry into expression and emotion across the arts as well as into the nature of the emotions themselves.
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  43. As a Stable Adaptive Strategy Homo Sapiens, Nbics Technology and Bioethics Became Evolution Mechanism (Anthropological and Biopolitical Essay).Valentin Cheshko - 2019 - Strategia Supraviețuirii Din Perspectiva Bioeticii, Antropologiei, Filosofiei Și Medicinei 25:20-23.
    The subject of the essay is the genesis of the evolutionary strategy of стратегииHomo sapiens(SESH)as a carrier element of the transformation of technology and ethics into the main factors of anthropogenesis and the evolution of complex, self-organizing human-dimension systems.
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  44. (1 other version)Modal Logic and Universal Algebra I: Modal Axiomatizations of Structures.Valentin Goranko & Dimiter Vakarelov - 1998 - In Marcus Kracht, Maarten de Rijke, Heinrich Wansing & Michael Zakharyaschev (eds.), Advances in Modal Logic. CSLI Publications. pp. 265-292.
    We study the general problem of axiomatizing structures in the framework of modal logic and present a uniform method for complete axiomatization of the modal logics determined by a large family of classes of structures of any signature.
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  45. The Paradox of Suspense Realism.Christy Mag Uidhir - 2011 - Journal of Aesthetics and Art Criticism 69 (2):161-171.
    Most theories of suspense implicitly or explicitly have as a background assumption what I call suspense realism, i.e., that suspense is itself a genuine, distinct emotion. I claim that for a theory of suspense to entail suspense realism is for that theory to entail a contradiction, and so, we ought instead assume a background of suspense eliminativism, i.e., that there is no such genuine, distinct emotion that is the emotion of suspense. More precisely, I argue that i) any suspense realist (...)
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  46. Recordings as Performances.Christy Mag Uidhir - 2007 - British Journal of Aesthetics 47 (3):298-314.
    This article claims that there is no in principle aesthetic difference between a live performance and a recording of that performance, and as such, performance individuation ought to be revised to reflect this. We ought to regard performances as types able to be instantiated both by live performances and by recordings of those performances, or we ought to abandon performances qua aesthetic objects.
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  47. A Road Map of Interval Temporal Logics and Duration Calculi.Valentin Goranko, Angelo Montanari & Guido Sciavicco - 2004 - Journal of Applied Non-Classical Logics 14 (1-2):9-54.
    We survey main developments, results, and open problems on interval temporal logics and duration calculi. We present various formal systems studied in the literature and discuss their distinctive features, emphasizing on expressiveness, axiomatic systems, and (un)decidability results.
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  48. Unrealistic Fictions.Allan Hazlett & Christy Mag Uidhir - 2011 - American Philosophical Quarterly 48 (1):33--46.
    In this paper, we develop an analysis of unrealistic fiction that captures the everyday sense of ‘unrealistic’. On our view, unrealistic fictions are a species of inconsistent fictions, but fictions for which such inconsistency, given the supporting role we claim played by genre, needn’t be a critical defect. We first consider and reject an analysis of unrealistic fiction as fiction that depicts or describes unlikely events; we then develop our own account and make an initial statement of it: unrealistic fictions (...)
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  49. The Basic Algebra of Game Equivalences.Valentin Goranko - 2003 - Studia Logica 75 (2):221-238.
    We give a complete axiomatization of the identities of the basic game algebra valid with respect to the abstract game board semantics. We also show that the additional conditions of termination and determinacy of game boards do not introduce new valid identities.En route we introduce a simple translation of game terms into plain modal logic and thus translate, while preserving validity both ways, game identities into modal formulae.The completeness proof is based on reduction of game terms to a certain ‘minimal (...)
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  50. Descriere fenomenologică a conștiinței estetice moderne.Corjuc Ioan - 2022 - In Alin Tat & Dan Siserman (eds.), Spicilegium Philosophicum. Cluj: Cluj University Press. pp. 101-134.
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